Lab 2023
One O’Clock Lab Band®
Directed by Alan Baylock
PERSONNEL
Alan Baylock, director
SAXOPHONES/WOODWINDS
Ian Weidmann (Lead Alto Sax, Soprano Sax, Flute) – San Antonio, TX
Gabriel Burns (Alto Sax, Clarinet, Flute) – Long Beach, CA
Gabriel Nieves (Tenor Sax, Flute) – Rolling Hills, VA
Anthony Bolden (Tenor Sax, Vibraslap) – Salem, OR
Jack Lanhardt (Baritone Sax, Bass Clarinet) – Corona, CA
TRUMPETS/FLUGELHORNS
Richie Thaller (lead) – Acton, MA
Naoki Hoshi (lead on tracks 2, 3, 4, 9) – Sendai, JAPAN
Ben Carroll – Jupiter, FL
Joshua Zeitlin – Palos Verdes, CA
Craig Schroeder – Dallas, TX
TROMBONES
Ken Ebo (lead) – Camden, SC
Jason Schilling – Bellevue, WA
Nick Mailes (lead on tracks 2, 3, 4, 5) – Joplin, MO
Connor Fallon (bass) – Ft. Worth, TX
Paul Covert (bass) – Richmond, VA
RHYTHM SECTION
Katelyn Robinson (Voice) – Los Angeles, CA
Will St Peter (Guitar) – Bucksport, MA
Jake Nalangan (Piano, Keyboard) – Sacramento, CA
F. August Bish (Acoustic Bass, Electric Bass) – Harrisburg, PA
Colman Burks (Drum Set) – Plano, TX
SPECIAL GUESTS (Track 2)
Isaac Lavigne (Surdo, Tamborim) – Chicago, IL
Jeffery Chaidez (Caxixi, Shakers, Triangle) – Houston, TX
ALBUM CREDITS
Producer/director – Alan Baylock
Assistant producer/recording engineer – Phil Bulla
Assistant producer/manager – Craig Marshall
Assistant engineers – Nathan Walters, Marshall Pruitt
Project art direction, layout, design – Matt Hellman, Alan Baylock, others at B Side
Cover art – Carmen Menza - carmenmenza.com
Photography – Matt Hellman, Alan Baylock
Copy editing – Linda Strube, Craig Marshall
Recorded on May 16-19, 2023 at The Echo Lab, Argyle, TX
Mixed by Alan Baylock and Phil Bulla at Platinum Productions, Monroe, NY
Edited and Mastered by Phil Bulla at Platinum Productions, Monroe, NY
The One O’Clock Lab Band® is underwritten by the Spec’s Charitable Foundation.
© ℗ 2023 • LA2301-AB
North Texas Jazz • 1155 Union Circle #311367 • Denton, TX 76203-5017
jazz.unt.edu • theoneoclock.com
All rights reserved. Unauthorized duplication prohibited by applicable laws. Proceeds from the sale of North Texas Jazz recordings benefit the University of North Texas and are used to support the jazz studies program through scholarships, public performances, tours, and related activities.